New designs, nothing off the press yet. I’ve got a wedding job to finish before I can get back to my greeting cards, but these should be ready before the end of January.
I just got my big paper order in and a new set of plates from Boxcar Press. These are digital mockups, but here’s what’s in the works right now:
Haven’t decided for sure on the colors for the I <3 YOU SO MUCH! cards. I am a big fan of the simplicity of black and red. The <3 cards will be printed as 4bar folded cards, blank as per usual.
I’m also liking the blood splatter Kafka the more I look at it. I originally made it on a lark, because it’s a bit overbearing/overdramatic, but the graphic punchiness is nice.
Two Crow Press will have a booth at the Mini Maker Faire in Aggieville this Saturday, September 20th. The Maker Faire is only part of the festivities being held in honor of Aggieville’s 125th Birthday. I will be in Booth #4, near The Dusty Bookshelf.
I’ve been trying out a lot of different ways of drawing these animals. I think I might have to go back to traditional media to do it quicker, but trying to figure out this tablet and photoshop brushes has been really useful, so I might keep using it, just to gain experience with that.
Tympanuchus cupido, the Love Drummer. This one is definitely more the woodcut/linocut style that I’m used to. I’m not a painter. I’ll illustrate things with gouache and ink, but I’m drawing with it and filling in colors, instead of treating it like paint and blocking out areas of color, doing washes, blending, etc.
I don’t know which I like better, so that means I need to do even more sketches. I’ve done a lot more permutations of the bison and prairie chicken than I’ve posted. I’ve probably only done about 15 different sketches total, not nearly enough. If anyone out there is going into graphic design or art, you need to draw all the time. Are you drawing right now? If not, you should get on that! I’ve spent about 7 hours today on the chickens, and when it’s all said and done I’ll probably have put in 3-4 times that. Also, don’t look at his feet, I didn’t even try on the feet. The feet will be so much better on the finished plate.
This is something I’ve had churning around in my head for awhile. I’ve wanted to make a set of postcards/prints celebrating our native wildlife. In addition to the American bison, I’m planning to definitely make one of the Greater prairie chicken. Other possibilities are White-tailed Deer, Bobcat, Coyote, Red Fox, Great Blue Heron, Northern Bobwhite, Killdeer, Eastern Screech-Owl, Belted Kingfisher, Northern Flicker, American Crow, Loggerhead Shrike, Red-Winged Blackbird, Common Nighthawk, Poor-Will, Tiger Salamander, Ornate Box Turle, the list goes on. We have a lots of great indigenous species.
If you have any favorites, I’m definitely open to suggestions.
UPDATE: Refining the sketch and playing with brushes. This is my first time working with a Wacom tablet. It is able to capture my mark making really well, the result looks very close to what a sketch with a dip pen and ink looks like. The bison will continue to get better as I get to know the tablet.
It’s been a long while since I printed last. Between family illness, grad school, and my work with the Manhattan Experimental Theater Workshop I was swamped. I printed a new set of business cards this morning and had enough ink on the press to try out a new plate. It’s my largest plate. In fact, it’s the largest my press can print. The plate is a larger version if the Ryokan poem card.
Our life in this world –
to what shall I compare it?
It’s like an echo
Resounding through the mountains
and off into the empty sky.
It’s one of my favorite poems, and one that I want to share with people by making a beautiful letterpress print. I’ll have them for sale on my Etsy site shortly, and will be contacting the local shops I sell at to see if they want to stock them.
They are printed in a purplish-black color I call sumi black, because it reminds me of thick, freshly-ground sumi. I printed on four different colors of paper: Mohawk Loop in Antique Vellum finish in Milkweed (160#C), Husk (160#C), and Thai Gold (130#C); and French Paper Co. Construction in Pure White (140#C). The finished prints will be approximately 7.25″ x 9.25″.
Now you can see how changing the colors and motif completely changes the mood while keeping the text block intact.
This would be great for a traditional and refined outdoor wedding. Classy and rustic. I’d probably use GMUND’s Savanna paper for the enclosures or envelopes. Embossed woodgrain paper really complements the texture of letterpress and would highlight the oak leaf motif.
You can also see below what a different just changing the typeface makes. Completely different feel, but equally important, I have more room to add more information about the wedding (instead of spending a lot more money on a second card). So here’s all the variations I’ve made on the one theme over the past 3 days.
Part of building up a wedding portfolio besides doing jobs for real couples is designing mock-invitations. I usually use the details from my own wedding so I’m not stepping on anyone’s toes. The nice part about this design, besides the amazing typeface (Erotica, by Argentinian designer Maximiliano Sproviero), is that the left design can be anything the couple wants (Brandon and I had crows for our theme), or the type block can be moved to the center and swash or another narrow element (trees, lace, etc.) can frame it on either side. UPDATE The other good thing about them: they allow you to quickly try out new colors. Definitely can’t do that with a letterpress…
This is genius! I have to try this.